Newsletter
of the Buffalo Irish Arts Society (Martin Wynne Chapter of Comhaltas
Ceoltoiri Eireann) March 2004
Jigs and Reels
Busy First
Weekend in March
You
won’t believe all the things taking place on the first weekend in March. Read the summaries below and look at our online
calendar to print out all the events.
Put it on your refrigerator so you don’t forget!
Contra dances will intermingle with ceilis at our next dance, co-sponsored with the Queen City Contra Dancers on
Saturday, March 6 at
The fun begins earlier on Saturday 3/6 with a
dancing demonstration at the Prime Outlet Mall in
Also on March 6, a new seisiun
is being launched at Nietzsches,
Our last seisiun at
the
We are also pleased to have our first youth
members, something Comhaltas is promoting
internationally. Sinead and Brady Gaynor
from
Looking ahead to some concerts, the Woods Tea Company
will bring Irish & other folk tunes and songs to the Buffalo Irish Center
in a benefit concert, sponsored by another one of our new members, Robert Besanceney from Orchard
Park. The concert takes place Friday,
March 26 at
Then the Buffalo Irish Arts Society is pleased
to welcome Chulrua
to the
Two
concerts are worth a drive down the Thruway, in both directions. Lunasa is coming
to East
Rochester High School on Monday, March 8 at
We
have a shelter reserved in
Finally,
spring is a time for re-birth and renewal.
It is great to see so many new seisiuns and so
many new musicians coming on board! But
we all must remember that Irish music has traditionally been a solo endeavor,
much in the way a Sean-nos singer will perform
without accompaniment. As Ciaran Carson points out in his book Irish Traditional Music, musicians play together "for company, for craic, for the lift that another musician will give to your own playing, or maybe
simply to create a bigger sound for dancing to."
As
many writers point out, playing Irish music in a group setting involves
communication and compromise.
The importance that Irish traditional musicians
attach to ornamentation and variation means that the music can only be fully
satisfying in the context of a solo performance. Spontaneity in group playing
is of necessity, subject to the requirement that the overall sound has a certain togetherness: this tends to inhibit the adventurous
performer. - Tomas O'Canainn from Traditional
Music in Ireland
The musicians will have to arrive at some implicit
(or explicit) agreement to stay within certain limits of ornamentation and
melodic variation; this kind of conversation is often as satisfying as solo
playing. . . . The interval between tunes is an important opportunity for
conversation, and for learning names of tunes and sources. - Gearoid OHallmuhurain from A Pocket History of Irish Traditional Music
Within bands, people have more freedom to be fancy. Seisiuns are more basic by necessity. So having said that, you don’t have to be ready for Carnegie Hall to join in a seisiun. You may be playing tunes at basic level to start but can progress to adding more ornaments and variations. But the beauty of Irish music is that you can play a simpler version while someone else adds more ornaments, and it all fits together! And inbetween tunes, feel free to ask more experienced musicians about the tunes, ornaments, different styles of playing, etc. The social experience of a seisiun is equally important as the tunes.